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中国庭审公开网 粤03民初2157

  • 6.7分 

    仙侠剧 

    葡萄牙 

  • 普通话 

    2025年 

    完结 

  • 2025-06-06 13:32:29 

  • 加斯帕·克里斯滕森

  • 米蕾娅·奥利奥 丹·史蒂文斯 宝拉·巴顿 吉玛·阿金森 雷欧·波瓦

  • 剧情简介:看那些美丽的女☞人,你觉得好像几乎可☆✖以……不是真的可以,但是几乎可以……穿过海报,和她✆们在一起。Scorsese and De Niro have been pushing each other so far for so long that audience polarisation now automatically accompanies the risk of their major-league collaboration. The King of Comedy guarantees a split even at the level of expectations: it's definitively not a comedy, despite being hilarious; it pays acute homage to Jerry Lewis, while requiring of the man no hint of slapstick infantilism; its uniquely repellent prize nerd is De Niro himself. The excruciating tone is set by an early freeze-frame of fingernails frantically scraping glass. Flinch here, and you're out, because Scorsese never does while detailing fantasist Rupert Pupkin's squirmily obsessive desperation to crash TV's real-time as a stand-up comic on the Carson-modelled Jerry Langford Show. Buttonholing its star (Lewis), then rebounding from brush-offs to hatch a ludicrous kidnap plot, De Niro's Pupkin isn't merely socially inadequate; he's a whole dimension short - happily rehearsing with cardboard cut-outs, choosing the flatness of videoscreen space for his schmucky jester's tilt at being 'king for a night'. Whereas the film itself is all unexpected dimensions and unsettling excesses, with the ambiguous fulfilment of Pupkin's dream frighteningly echoing the news-headline coda of Taxi Driver. Creepiest movie of the year in every sense, and one of the best.

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